The brutality of history, in
general, is what disturbs me. For thousands of years, history was
painted. Kings were mighty, Queens were regal, and when they died, all that
remained of them were the grand palaces and magnificent temples they behind for
us mere mortals to gawk at.
Sometimes the King would fall.
His Kingdom replaced by another. Still, the paintings only remained, and in
them he would look… powerful. In control of himself, and his destiny. Along
comes this pesky little invention called photography. And now, for the
first time ever, we get to see the mighty, Godlike rulers for who they truly
are. Take the Mughal Empire for instance — the Mughals are always painted as
strong, bearded men, dressed to the nines, pointed shoes, elaborate robes and
their strong hand always on the handle of their sword, ready to strike at an
enemy…
And here we see Bahadur
Shah Zafar, the last Mughal Emperor. He is 87 years old, his throne
taken from him by the British who now Lord over all of India. Most sons and
grandsons of the old ruler are dead. His daughters and granddaughter live in
poverty. It’s the 1860s, and photography is now around to show what remains of
the old boss of all that was… a depressed, disillusioned ancient figure, well aware
of having lost all that he was held dear. Next to him, an opium pipe — drugs
are all that keeps him sane. All that keeps the nightmares of what once was and
is now forever lost, at bay.
What disturbs me most about history is how unforgiving it is. How even the greatest and mightiest of Kings can end up a depressed and miserable drug addict, a shadow of his former self. That the final ruler of a Kingdom that once built the Taj Mahal can die a broken man on a pile of pillows, a pipe of opium his only solace and companion…
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